Auditions for Disney’s Frozen JR.
Presented by The Plaza Theatre
Music & lyrics by Kristen Anderson-Lopez & Robert Lopez
Book by Jennifer Lee
Based on the Disney film written by Jennifer Lee and directed by Chris Buck and Jennifer Lee
Presented through special arrangement with Music Theatre International (MTI)
Directed by Hailey Roberson

General Admission: $15
Recommended for general audiences

 

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About the Play

Frozen JR.is based on the 2018 Broadway musical, and brings Elsa, Anna, and the magical land of Arendelle to life, onstage. The show features all of the memorable songs from the animated film, with music and lyrics by Kristen Anderson-Lopez and Robert Lopez, plus five new songs written for the Broadway production.

A story of true love and acceptance between sisters, Frozen JR. expands upon the emotional relationship and journey between Princesses Anna and Elsa. When faced with danger, the two discover their hidden potential and the powerful bond of sisterhood. With a cast of beloved characters and loaded with magic, adventure, and plenty of humor, Frozen JR.is sure to thaw even the coldest heart!

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Disney’s Frozen JR Character Descriptions

 

Young Anna

Young Anna, Middle Anna, and Anna are all the young Princess of Arendelle at different ages. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Each version of this warm and determined princess requires a strong singer with great comic timing.

Gender: Female

Vocal range top: D5

Vocal range bottom: A3

Middle Anna

Young Anna, Middle Anna, and Anna are all the young Princess of Arendelle at different ages. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Each version of this warm and determined princess requires a strong singer with great comic timing.

Gender: Female

Vocal range top: B4

Vocal range bottom: A3

Anna

Young Anna, Middle Anna, and Anna are all the young Princess of Arendelle at different ages. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Each version of this warm and determined princess requires a strong singer with great comic timing.

Gender: Female

Vocal range top: D5

Vocal range bottom: G3

Young Elsa

Young Elsa, Middle Elsa, and Elsa are all the elder Princess of Arendelle at different ages. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus.

Gender: Female

Vocal range top: C#5

Vocal range bottom: A3

Middle Elsa

Young Elsa, Middle Elsa, and Elsa are all the elder Princess of Arendelle at different ages. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus.

Gender: Female

Vocal range top: F#4

Vocal range bottom: A3

Elsa

Young Elsa, Middle Elsa, and Elsa are all the elder Princess of Arendelle at different ages. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus.

Gender: Female

Vocal range top: D5

Vocal range bottom: F#3

King Agnarr

The warm-hearted ruler of Arendelle is committed to protecting both his family and the Townspeople from his eldest daughter’s powers.

Gender: Male

Queen Iduna

The queen possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen has the ability to communicate with the Hidden Folk of the mountains and so understands Elsa’s powers deeply.

Gender: Female

Pabbie

Pabbie and Bulda are the mystical leaders of the Hidden Folk who have a soft spot for “strays.” Ever-benevolent, these parental figures want what’s best for Kristoff, even if they are a bit misguided in their efforts.

Gender: Any

Bulda

Pabbie and Bulda are the mystical leaders of the Hidden Folk who have a soft spot for “strays.” Ever-benevolent, these parental figures want what’s best for Kristoff, even if they are a bit misguided in their efforts.

Gender: Any

Bishop

The bishop officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner.

Gender: Any

Kristoff

Kristoff is a hardworking ice harvester. Kristoff has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend- until he meets Anna.

Gender: Male

Vocal range top: A3

Vocal range bottom: G2

Sven

Sven is a reindeer of few words, fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Looking for a performer with good comic timing and terrific physical acting skills who can devise a strong movement vocabulary to bring this furry charmer to life.

Gender: Any

Vocal range top: A4

Vocal range bottom: A3

Hans

The ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone – including Anna and, ideally, the audience! – into believing he’s Prince Charming, when really, he’s just a jerk.

Gender: Male

Vocal range top: B3

Vocal range bottom: G2

Weselton

A visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton’s sole purpose is to hobnob with influencers and royalty.

Gender: Any

Olaf

The magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything – especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing.

Gender: Male

Vocal range top: D4

Vocal range bottom: F#2

Oaken

An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable.

Gender: Any

Ensemble

Includes the following roles: Townspeople, Snow Chorus, Hidden Folk, Castle Staff, Housekeeper, Butler, Handmaiden, Cook, Steward, Guards, Summer Chorus, Oaken’s Family

Gender: Any

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Plaza Auditions FAQs

What should I expect when I’m auditioning for a play? Expect the unexpected. Currently you do not need to prepare a monologue. We will probably ask you to read from the script. Let the director know if you are interested in a specific role. Reading from the script gives us an idea of who you are as a person and if we would be able to cast in you in a specific role. We may have you read a variety of roles to get a better understanding of your capabilities as an actor.

What should I expect when I’m auditioning for a musical? When auditioning for a musical expect the same scenario as an audition for a play, but you will also need to have a musical selection prepared. Accompaniment is not normally provided at auditions, so please bring an instrumental-only accompaniment CD unless you plan to sing without accompaniment.

What should I sing? Something that shows you off. We prefer show tunes, and your selection doesn’t have to be from the show you are auditioning for. Pick something you like to sing, something you feel comfortable singing and –most important–something you can sing. If you find yourself having trouble reaching a note or two in a piece, you probably want to think about having it transposed or finding another selection.